Monday, October 27, 2008

BOLLYWOOD – KAL SE AAJ TAK

Hindi Cinema has been a part of life for most of the Indians, particularly in the post-independence era. Six decades of entertainment, and Bollywood keeps getting younger each day. All these years, Bollywood has been offering favourable conditions to budding talent. Looking back through these decades brings us a mixed bag of entertainment- emotions, romance, action, patriotism, comedy, there is something in it for everyone, no matter- Bollywood is omnipresent.

Innocent 50’s and 60’s

Hindi Cinema (it wasn’t called Bollywood then J) was a budding industry in the late 40’s and early 50’s. India had just been independent from ages of foreign rule, and Bollywood had its role to play in building society. Directors like V Shantaram and Bimal Roy were the front runners in showcasing social concerns through their movies- movies like Do Aankhen Barah Haath, Sujata carried a message for the audience.

It was an era of B&W cinema, the trio- Raj Kapoor, Dilip Kumar and Dev Anand were the heartthrobs and had their own set of sincere audience, and at the same time, Pran and Ajit played the object of ire. Those were the days when movie dialogues would come directly out of Hindi literary works; choreography found its origins in Indian classical dancing and music emerged out of Indian classical ragas. An industry which was very much “Indian”. This era supported a very narrow spectrum of topics- emotional family dramas were crowd pullers and a movie’s success would depend proportionally to the tears shed by the audienceJ.

Raj Kapoor was the ShowMan creating larger than life portrayals. This was the time though when Guru Dutt was busy creating classics that would attract only a limited audience. His movies being ahead of time would hardly appeal to the mediocre Indian audience then, but his work was to be rightly appreciated by generations to come. His work made him a Genius.

It was 1960 when the most prestigious Bollywood movie ever made ascended the silver screen in elegance; Mughal-e-Azam, a larger than life portrayal of a royal love story and a conflict between blue blood. Till date Mughal-e-Azam finds a respectable place in the hearts of Bollywood lovers.1960 gave another trend setter movie; B R Chopra came up with a fantastic creation- Kanoon - the first song- less movie of Bollywood.
Another trend setter movie – Sangam was released in 1962. This was the first Bollywood movie ever to be shot in a location outside India, also a movie with 2 intervals. A considerable portion of the movie was shot in some beautiful locations in Europe, Raj Kapoor undoubtedly was a ShowMan.

Proceed ahead into the 60’s and Indian cinema was getting trendy. Fresh breed of actors like Sunil Dutt, Dharmendra, Shammi Kapoor and Jitendra shared a considerable portion of the silver screen. This was a time when every actor would be an elite- driving Left Handed Impalas, singing songs in 3 piece blazers and normally an “Iklauta Waaris” of huge “estates”J. While Shammi Kapoor was busy entertaining every genre of the audience, Jitendra was getting ready to replace him in the late 60’s.

This decade bred some truly talented directors including B R Chopra, Vijay Anand, Raj Khosla, Manoj Kumar and Shakti Samanta.

Some of the best lost-and-found family dramas like Waqt (B R Chopra), suspense thrillers like Jewel Thief, Teesri Manzil (Vijay Anand), emotional dramas like Guide (Vijay Anand), patriotic movies like Upkaar, Purab aur Pascchim (Manoj Kumar) and romantic movies like Aradhana (Shakti Samanta) were released during this time.

Music in Bollywood lived its best times during this era; Melodies crafted meticulously by Shankar-Jaikishan, S D Burman, Naushad rule the hearts of millions till date. This was also a time when musician duo Lakshmikant-Pyarelal worked hard and had their place reserved in Bollywood. But it was in mid 60’s that a star was born; Bollywood got its most trendy and popular Music Director ever – R D Burman.

Approaching the end of this era Indian audience was to get the first SUPER STAR of Bollywood- Rajesh Khanna, who instantly became a heartthrob of the whole country. He was here to stay and rule, but only for a few years… another star was just on the horizon. More of the rise and fall of SuperStars in the next post- “Sparks and Shadows of 70’s and 80’s”.

Wednesday, August 20, 2008

YUVA

YUVA- A film by Mani Ratnam. It is a distinct topic, only to be touched by distinct directors like Mani. Continuing with his brigade of impressive movies like Roja, Bombay, Mani Ratnam adds yet another feather to his cap through Yuva.

Yuva- as the name suggests- is a story of youth, responsible Indian youth entering politics. Michael (Ajay Devgan) is a student leader having intentions to clean the political system by being a part of it.
Lallan (Abhishek Bachchan), a lower middle class hooligan working for a corrupt political leader - Prosonjit Bhatacharya (Om Puri)
Arjun (Vivek Oberoi), a flamboyant youth with dollar dreams.

Mani Ratnam is a unique storyteller, this story begins on the busy Howrah bridge of Calcutta. Three youngsters (Lallan, Michael and Arjun) completely unknown to each other cross paths on the Howrah Bridge one fine day. Movie runs back to unfurl each one's story and gets them back to present, and the 3 lives suddenly change from here on...

Michael fosters a group of motivated youngsters (including Oberoi) making them aware of their responsibilities towards their society. These ignited minds and their social work lays the foundation for upcoming elections. Prasonjit (Om Puri) works his way out to curb the younger race, but good work speaks out and Michael settles his scores with Prasonjit by winning the elections.

Movie ends when 4 "Yuva" leaders enter the assmbly by sidetracking Prasanojit- depicting a decline of corruption and beginning of cleaner politics.

Movie boasts of intelligent direction and editing, backed by a strong screenplay; starkly appealing to the sincere audience of this genre of movies.

Abhishek Bachchan delivers one of the finest performances of his career through Lallan. Ajay seems irreplacable in whatever he does. Vivek is good and justifies his character.

Female artists hardly have any contribution in this movie, although Rani and Kareena have done their best.

Music is good, "Khuda Hafiz" and "Fanaa" entertain the audience, "Dhakka Laga Bukka" inspires the youth.

Mani Ratnam belongs to the smarter race of Indian movie directors. Only a few directors in Bollywood dare to attempt such plots, at the same time care to achieve it.